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  1. The Genuine Article: Race, Mass Culture, and American Literary Manhood (New Americanists)
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  4. Publishing the Family - June Howard - Google книги

The Genuine Article: Race, Mass Culture, and American Literary Manhood (New Americanists)

Though Howard situates her work with reference to social and cultural theorists such as Stuart Hall and Fredric Jameson, where McHenry more often cites historians of reading such as Roger Chartier and Carl Kaestle, both make rich and meticulously historicized discoveries which will fascinate scholars in American literary and cultural studies, while intriguing students of the U. Clarifying the methodological innovations central to Publishing the Family , Howard calls her approach a "microhistory" designed to disclose the many forces and counter-pressures which traverse a collaborative novel entitled The Whole Family.

This anomalous text, which first appeared serially in Harper's Bazar in and , may seem a minor belletristic lark. Yet as Howard shows, no sooner had the second installment of The Whole Family appeared in print than the project was embroiled in contention. Not only did individual contributors--each of whom took responsibility for one chapter of the novel--disagree sharply over the story's premise.

In addition, putative co-laborers found little common ground concerning the nature and motivations of various characters; the genre appropriate to what had been envisioned as a pleasant and amusing, rather than dauntingly conflictual, tale; or a fit ending to the convoluted plot produced by writers located quite differently amidst the literary and social worlds which co-existed at the start of the twentieth century. In and through the resultant tensions, backtrackings and short-lived "resolutions," Howard finds an all-but-articulated critique of white middle-class family life.

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The utter lucidity of Howard's argument should serve as a model for future work of interdisciplinary amplitude. Yet range of research interests is only one reason to categorize Publishing the Family as a scholarly tour de force. Equally important, this probing, fearless study deserves the attention of all students of sentimentality and affectional acts, even as it takes up a prominent place in the toolbox of those who investigate the conditions of literary and ideological production.

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People trained in American Studies do not always spend time ruminating about management strategies at the best-known publishing firms, or about the relationship between a "house organ" like the Bazar and its parent company. Yet as Howard shows, these things can be tremendously revealing not so much because the business of America is, as we hear so often, business, as because print culture exists under specific conditions of capital which, in the case of The Whole Family , tangled with competing visions of domesticity, trade, women's education, and modernity.

The profoundly eruptive ramifications of Publishing the Family can be derived from Howard's brilliant introduction. This finding should stand as a key--and crucially periodizing--model for those students of culture who seek ways in which to figure out what print culture has to tell us about the era in which it was produced, rather than the anxieties of our own. Beautifully illustrated and written with unusual grace, Publishing the Family is a book that students of U. Closer to the heart of historical reading studies, but as challenging to received parameters as Howard's elegant argument, Elizabeth McHenry's Forgotten Readers demands that attention be paid to the small, but united and purposeful, group of pre-World War II African Americans who equated literacy with activism.

Central to McHenry's initiative is a deliberate and well-defended extension of exclusivist conceptualizations of what it has meant to participate in the world of print and, more specifically, belles lettres. Indeed, one of the major gains of her project is enhanced comprehension of the goals of those "race" men and women who taught that the assured wielding of elevated language comprised a form of political agitation.

This form of agitation may seem trivial.

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Yet it proved capable of nurturing solidarities among people who were socially marginalized by white supremacist policies, fostering "uplift" programs with strong links to citizenship claims, and resisting the dictum that informal education was tantamount to ignorance and illiteracy. Challenging assumptions about African Americans' practices and institutions of reading, writing, and educated debate, McHenry sheds new light on texts as familiar as David Walker's "Appeal" and Jean Toomer's Cane.

This reconfiguration echoes Howard's call for a testing of current taxonomies, the better to work out more illuminating insights. Yet for McHenry, the goal is reconsideration of "what has constituted resistance for African Americans given their diverse experiences" p. Each chapter of Publishing the Family casts light on some aspect of life in the United States at a moment that arguably marked the beginning of our own era.

Howard revises common views of the turn-of-the-century literary marketplace and discusses the perceived crisis in the family as well as the popular and expert discourses that emerged to remedy it.

Publishing the Family will interest students and scholars of American history, literature, and culture, as well as those studying gender, sexuality, and the family. In the process, she uses the phenomenon of this collaboratively authored novel to subject our commonsense assumptions about literary creativity to searching scrutiny. Valuable not only for its impressive scholarship but also for its originality and insight, Publishing the Family is sure to occupy a prominent place in American literary and cultural studies.

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Publishing the Family - June Howard - Google книги

If a book exceeds Shipping costs are based on books weighing 2. A House Undivided. A Climb up the Spiral Staircase. Everybodys Busy Day. The Composite Novel as Vaudeville. Female Modernity and the Magazine. What Is Sentimentality? Embodied Thoughts. Feeling and Form.